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Takashi Homma – This Is Not My CatA cat wanders, perches, and lounges in various spaces around a humble Tokyo apartment. It is perfectly tranquil in its surroundings, simply going about its daily life. In one image, the cat lays serenely amidst pot plants on the balcony, squinting in morning sunlight; in others, it balances precariously on the edge of the bath, snuggles beneath a sleeping bag, plays in a cardboard box, hides beneath an open umbrella. Here and there, evidence of the

rubber bullets

Under pressure to confront their history – often steeped in colonial

'The Foreign Painter'

Andreas Züst (1947–2000) was fascinated by natural phenomena his whole life long

which transform exhibition spaces into room-sized installations that visitors can walk through

the repetition of specific motifs follows a logic that is akin to General Idea’s own penchant for mass reproduction and that echo the virality of their AIDS works

choosing instead to feature only his own work

Vanoverberghe is questioning how we look at artefacts

It accompanies her first major UK solo exhibition in more than a decade and the inaugural programme at the London-based non-profit project space YDP (Yan Du Projects

Fabienne Rachmadiev

the Peter Piller Archive has grown to thousands of images — its sources including a commercial aerial photography archive

the fear of emptiness is not just aesthetic – it’s existential

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