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Imprint I & II (diptych)These photographs are part of a larger exploration into our increased convergence and augmentation with biotechnology. Imprint highlights the duality of technological tools: not only adding to but also interfering with our understanding of the body. Using the extremely tactical slime, which has gained increased momentum as a relaxation tool during an age of extreme anxiety, I create imprints of my palms as small sculptures which I then photograph as

My work doesn't offer a point of focus

a puddle hangs over pipe-work as if drying

Lukas is known for figurative painting

Floral roots form interwoven networks

Terrains and infrastructures across Scotland are mapped and viewed through a semi-fictional lens to actively engage with ecological and technological perspectives and issues

The painting was completely improvised

as a meeting point between cosmic order and disorder

going against traditional vessel making

The LV works consist of shapes

0 - - - 1 - - - 0 presents a

present and a pictured future

it bridges the natural and industrial

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