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MARINA ROSENFELD - Deathstar DLPSince 2017, Deathstar has been a project about the microphone in Marina Rosenfelds hands, a void, a mirror, an unruly instrument of transformation and mediation. This music is heard in traces, through thickly amplified silences punctuated by momentary eruptions of noise or a voice at the threshold of intelligibility. The sculpture at the center of the actiona plexiglas orb housing a 7 microphone array originally installed as part of an exhibition the

On their newest release for Full Spectrum Records

magic eye loops and some fusion gomf moves that are decidedly more On The Corner than Aka-Darbari-Java

Here is the moment in which the group's roots and influences grow inward

"In painting the covers I found an appropriate shorthand to describing the music or re-imagining it

Her vocal flights on those records can hardly prepare one for the intimacy and empathy of her harmonies and other voices on The Letting Go

emotion and 'note-choice' is inextricable from an exacting focus on tone

Jesse Fuller was a truly unique one man band who played blues

each a sensuous object in and of itself

"middle finger"

head of Creation Records

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